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Jordan Mintzer is a contributing Paris-based Film Critic for The Hollywood Reporter. Prior to that, he wrote for Variety. His writings have also appeared in the French publications Les Cahiers du cinéma, Le Monde, So Film and Libération, and he is a regular guest on the French radio show On Aura Tout Vu. He is the author of three interview books — "Conversations with James Gray," "Conversations with Darius Khondji" and "Conversations with Dean Tavoularis" — and the producer of the feature films "Hamilton," "Putty Hill" and "Sollers Point." Mintzer grew up in Queens, N.Y., and has a BBA in Economics from Baruch College.
More from Jordan Mintzer
‘Mexico 86’ Review: Bérénice Béjo Toplines a Compelling Political Drama That Never Drums Up Enough Emotion
In Cannes Caméra d'Or winner César Díaz’s second feature, the 'Artist' co-star plays a Guatemalan leftist militant desperately trying to raise her estranged son.
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‘The Flood’ Review: An Intriguing Palace Drama Chronicling the Last Days of France’s Ultimate Royal Couple
Guillaume Canet and Mélanie Laurent star as Louis XVI and Marie-Antoinette in Italian director Gianluca Jodice’s latest feature, opening the Locarno Film Festival.
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‘The Beast Within’ Review: Kit Harington’s Psychological Werewolf Flick Has More Bark Than Bite
Ashleigh Cummings and James Cosmo co-star in Alexander J. Farrell's new horror movie, set around a British castle haunted by a dark family secret.
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‘The Count of Monte Cristo’ Review: Revenge Is a Dish Best Served With Breathtaking Backdrops in a Lavish Adaptation That Lacks Staying Power
Pierre Niney (‘Yves Saint Laurent’) plays the hero of Alexandre Dumas’ epic novel in a new French-language version from Matthieu Delaporte and Alexandre de la Patellière.
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Critic’s Appreciation: Donald Sutherland, the Man of a Thousand Arched Eyebrows
The revered Canadian actor, who died Thursday at 88, was a versatile screen presence for more than half a century, embodying a wide range of character types while always remaining true to himself.
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Anouk Aimée, Enigmatic Star of ‘A Man and a Woman,’ ‘La Dolce Vita’ and ‘8 1/2,’ Dies at 92
The Oscar-nominated actress also was known for her work in Demy's 'Lola' and Lumet's 'The Appointment.'
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‘Ultraman: Rising’ Review: A Famous Japanese Franchise Gets a Heartwarming American Reboot
The Netflix animated feature, directed by Shannon Tindle and co-directed by John Aoshima, offers a new take on a classic Japanese series created in the 1960s.
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‘Bad Shabbos’ Review: Kyra Sedgwick and Method Man Star in a Likable if Formulaic New York Jewish Comedy
Daniel Robbins’ ensemble piece, about a shabbat dinner that flies seriously off the rails, premiered at Tribeca.
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‘Spermageddon’ Review: Outrageously Raunchy Animated Feature Seems Destined for Cult Status
Norwegian director Tommy Wirkola ('Dead Snow') teams up with animator Ramsus A. Silversten for a sexually explicit cartoon comedy about two sperm cells vying to reach an egg.
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‘Hacking Hate’ Review: An Alarming Documentary on the Power of Far-Right Social Media Influencers
Swedish director Simon Klose's latest feature follows investigative journalist My Vingren as she tracks an elusive online agitator stirring up hate across the globe.
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‘The Freshly Cut Grass’ Review: A Keenly Observed if Familiar Portrait of Marital Malaise in Argentina
Director Celina Murga’s latest feature, with an ensemble cast including Marina de Tavira ('Roma'), was executive produced by Martin Scorsese.
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‘Lake George’ Review: Shea Whigham and Carrie Coon in a Conventional Neo-Noir With a Few Welcome Twists
The latest feature from veteran writer-director Jeffrey Reiner (Hulu’s 'High Fidelity'), which premiered at Tribeca, co-stars Max Casella and Glenn Fleshler.
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